I’m not sure whether the cover designs are more worrying than the titles and subjects of the books on this website, but either way they’re good for a laugh:
Below are some interesting cover designs I have recently harvested from the internet:
There’s definitely a trend of late for outlines of heads, speech bubbles, very sketchy, simplistic illustration, and hand rendered (or at least hand rendered style) typography. Sometimes a clever designer has managed all of these in one design as per the first cover top left.
Looks like I’m bang on trend with my latest 2 covers then. It’s a rare thing!
It’s about time I posted up some new work samples, so here you go.
A range of different academic titles above, and (because I do so many) a range of medical titles below. Just a very small sample of what I’ve been up to over the last 9 months. I always wait for the designs to be approved before I post them up, so there are lots more in the pipeline.
And finally some more cover designs for Hans Reitzels Forlag publishers in Copenhagen:
Some more recent cover designs:
I designed the cover for the second edition of this textbook (shown on the left) back when I worked in-house at CUP, so it was really nice to have the opportunity to update it to the third edition. The grumpy gorilla on edition 2 was very popular, so it was always going to be a challenge to match up to him, but I think cuteness has won out, and I like the simplicity of this image. He has a mischievous look in his eyes.
Another textbook cover:
And a random selection of some other titles:
There seems to be a Danish theme to my work just lately. Firstly for Cambridge University Press, I have been working on an illustration and jacket design for a book about Maersk Line – the Danish shipping company. The Danish authors (employee and former employee of Maersk) document the history of the company to show how it has grown over the last 40 years to become the global success it is now. Not plugging it or anything!
The illustration concept was developed in-house at Maersk, at which point I took it on and recreated it from scratch, trying out different backgrounds and colours for the photos within the map. The idea is obviously the shipping routes between countries, with the focus being on people. The sepia tone of the main images mean they blend together nicely (no obvious division or special emphasis between the countries – that was specified) while having a bit more warmth and depth than black and white pictures (original concept), and they sit back slightly allowing the full colour images of peoples faces in the circles to stand forward.
I also couldn’t resist adding in a few Maersk logo stars, where the whoosh lines hit their intended target. The company corporate colours were used wherever possible, and typographically, I tried to use something similar to the Maersk branding. So it’s about as corporate it could be, without just slapping the logo across the front, and yet it’s still quite subtle.
Continuing with the Danish theme, I have been designing some covers for an academic publishing company in Copenhagen – Hans Reitzels Forlag, a part of the larger Gyldendal group.
I’ve done five covers so far, I hope there’ll be more. Each one has been a creative challenge (a nice challenge) to come up with a design concept, as well as the images and designs. I’m so used to being given images, or at least being told what sorts of images are required, it’s good to be pushed a little bit out of my comfort zone to come up with ideas on ethics or critical theory, once I’ve researched what they actually are!
More cover designs to come soon.
Sorry it’s taken so long to post any new work. It’s all cover designs for CUP of late, not that I have any complaints about that. Thankfully, there is such a variety of design work just within this one area.
A while ago I posted about some book cover trends I had seen emerging of late, one of which involved the typography appearing to be stamped or stencilled and slightly distressed. It wasn’t long after that, that I had the chance to do a bit of type and image distressing myself.
The text and image are meant to look as though they are stencilled or graffitied onto a slightly grubby wall. So the images started out as full colour photographs, were changed to black and white, and a few photoshop filters used to give them a Banksky-esque style. The text was just smudged and blotched in photoshop, all in one colour on separate layers, and then colour overlays were added to the layers (as it’s easier to change this later if necessary, as was the case).
And then there’s a whole host of medical titles:
Understanding Probability – well I understand the probability of me getting any work as a hand model is very slim, unless I decide to do the photograph myself, seeing as the previous version was of such poor quality. I did give my nails a quick scrub and file first.And a few more big topic titles:Just a very small selection of work.
Shirley Tucker is a graphic designer who worked at the publishing company Faber & Faber in the 60’s and 70’s. I hadn’t come across her until reading an article on the Creative Review blog.
This is a little video of her talking about some of the designs she did and a longer piece about her design for Silvia Plath’s The Bell Jar. It’s a beautifully simple graphic illustration, and a classic cover design that I think would still look great on the bookshelves today. I enjoyed watching this, hope you do too:
Also, on the topic of Faber & Faber, here is a link to their Flickr site which is a lovely collection of some of their classic book covers.